Apollo 13 1995 ein Filmtitel mit Genre Drama, Historie, Film Netflix Nouveauté in High-Definition-Format. Neu Filme Online Apollo 13 in High-Definition-Qualität. Aksiyon Full Hd Film Izle Apollo 13 in Top-Qualität. Film Netflix Neu Apollo 13 in HD-Qualität. Film abspielen Apollo 13 in besten Blick Videoformat.
werden Sie feststellen, komplett Beschreibung Apollo 13 unten:
- Originaltitel : Apollo 13
- Filmtitel in Ihrem Land : Apollo 13
- Jahr der Film : 1995
- Genres des Films : Drama, Historie,
- Status-Film : Released
- Veröffentlichungsdatum : 1995-06-30
- Die Unternehmen der Film : Imagine Entertainment, Universal Pictures, TF1 International,
- Länder Film : United States of America,
- Sprache des Films : English,
- Durasi Of film : 140 Min
- Stimme durchschnittlich : 7.4
- Youtube ID des Films : videokode
- Übersetzung von Film : translation
- Schauspieler des Films :Joseph Culp (TELMU Gold), Lee Anne Matusek (Loud Reporter), Austin O'Brien (Whiz Kid), Taylor Goodall (Fred Haise Jr.), David Andrews (Pete Conrad), John Short (INCO White), Max Grodénchik (FIDO Gold), Patty Raya (Patty), Jeffrey Kluger (Science Reporter), Jim Meskimen (TELMU White), Brian Markinson (Pad Rat), Steve Bernie (Virgil Grissom), Mark Wheeler (Neil Armstrong), John M. Mathews (Reporter), Kathleen Quinlan (Marilyn Lovell), Misty Dickinson (Margaret Haise), John Wheeler (Reporter), Bruce Wright (Anchor), Tracy Reiner (Mary Haise), Emily Ann Lloyd (Susan Lovell), Andy Milder (GUIDO White), Max Elliott Slade (Jay Lovell), Chris Ellis (Deke Slayton), Bill Paxton (Fred Haise), Carl Gabriel Yorke (SIM Tech), Ned Vaughn (CAPCOM 2), Reed Rudy (Roger Chaffee), Meadow Williams (Kim), Steve Rankin (Pad Rat), Ben Marley (John Young), Andrew Lipschultz (Launch Director), James Ritz (Ted), Christopher John Fields (Booster White), Brett Cullen (CAPCOM 1), Ed Harris (Gene Kranz), Thomas Crawford (Reporter), Ben Bode (INCO Gold), Steve Ruge (Edward White), Walter von Huene (Technician), Pope Paul VI (Himself (archive footage)), Gabriel Jarret (GNC White), Matthew Michael Goodall (Stephen Haise), Patrick Mickler (RETRO Gold), Tom Hanks (Jim Lovell), Ivan Allen (Anchor), Mark McKeel (Suit Room Assistant), Kevin Bacon (Jack Swigert), John Dullaghan (Reporter), Arthur Senzy (SIM Tech), Maureen Hanley (Woman), Frank Cavestani (Reporter), Julie Rowen (Reporter), Jack Conley (Science Reporter), Louisa Marie (Whiz Kid Mom), Wayne Duvall (LEM Controller White), Todd Hallowell (Noisy Civilian), Herbert Jefferson Jr. (Reporter), Jean Speegle Howard (Blanch Lovell), Miko Hughes (Jeffrey Lovell), Ray McKinnon (Jerry Bostick - FIDO White), Rance Howard (Reverend), Paul Mantee (Reporter), Todd Louiso (FAO White), Mark D. Newman (Loud Reporter), Tom Wood (EECOM Gold), Joe Spano (NASA Director), Loren Dean (John Aaron - EECOM Arthur), Jim Lovell (Captain of USS Iwo Jima), Jules Bergman (Himself - ABC News (archive footage)), Ryan Holihan (SIM Tech), Endre Hules (Guenter Wendt), Neil Armstrong (Himself (archive footage)), Geoffrey Blake (GUIDO Gold), Xander Berkeley (Henry Hurt), Marc McClure (Glynn Lunney), Jane Jenkins (Neighbor), Jon Bruno (Anchor), Roger Corman (Congressman), Karen Martin (Tracey), Kenneth White (Grumman Rep), Michele Little (Jane Conrad), Googy Gress (RETRO White), Clint Howard (Sy Liebergot - EECOM White), Mary Kate Schellhardt (Barbara Lovell), Thom Barry (Orderly), Christian Clemenson (Dr. Chuck), Gary Sinise (Ken Mattingly)
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Apollo 13 ist besser film hergestellt von Imagine Entertainment, Universal Pictures, TF1 International, Arbeit mit ein Beschreibung des Films "Weniger als ein Jahr ist vergangen, seitdem der Mensch zum ersten Mal den Mond betreten hat. Und was die amerikanische Bevölkerung angeht, so stellt die Apollo-13-Mission lediglich einen erneuten Routineflug dar – bis die Bodenkontrollstation folgende Worte aus der unendlichen Weite des Alls empfängt: „Houston, wir haben ein Problem“. 205.000 Meilen von der Erde entfernt kämpfen die Astronauten Jim Lovell, Fred Haise und Jack Swigert in einer funktionsuntüchtigen Raumkapsel verzweifelt um ihr Leben. Unterdessen nehmen in der Bodenkontrollstation der Astronaut Ken Mattingly und Flugkommandant Gene Kranz das Rennen gegen die Zeit auf, um die Astronauten zurück zur Erde zu bringen.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und am besten mit Schauspielern.
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Production Coordinator : Wendi Haas, Production Assistant : Jimmy Lindsey, Special Effects Assistant : Tony Centonze, Driver : Bud Lacy, Hairstylist : Audrey L. Anzures, Location Assistant : Matthew Pook, Assistant Property Master : James Robinson II, Executive Music Producer : Ron Howard, Special Effects Assistant : William Centonze, Extras Casting : Ajay Dass, Casting Associate : Susanna Griffith, Painter : Dan Dorfer, Set Medic : David O. Krupnick, Supervising Dialogue Editor : Anthony J. Ciccolini III, Thanks : Walter Cronkite, Screenplay : William Broyles Jr., Modeling : Gerald McClung, Camera Loader : John Hynes, Special Effects Assistant : Steve Luport, Sound Mixer : John Sutton, Special Effects Assistant : Manuel S. Epstein, Assistant Property Master : Bobby Amor, Set Costumer : Bob Moore Jr., Boom Operator : Craig Woods, ADR Mixer : Dean Drabin, Electrician : Darren Langer, Digital Effects Producer : Mark Lohff, Art Department Assistant : Joshua A. Sipe, Pilot : Michael Tamburro, Camera Loader : Trevor Loomis, Camera Technician : Scott Johnson, Best Boy Electric : Rick Petretti, Modeling : Bradford Plows, Special Sound Effects : Donald Flick, Set Production Assistant : Matt Rebenkoff, Set Production Assistant : Colin Hanks, Special Effects Assistant : James M. Hart, Electrician : Keith Orefice, First Assistant "B" Camera : Larry D. Davis, Driver : Dan Brizendine, Set Dresser : John Maskovich, Assistant Editor : Carolyn Calvert, Property Master : Steven M. Levine, Costumer : Danna Edwards, Assistant Editor : Glenn Allen, Stunts : John Robotham, Sound Assistant : Dana Gustafson, First Assistant Camera : Christopher Duskin, Supervising ADR Editor : Lisa J. Levine, Grip : Jimmy Giacona, Dialogue Editor : Louis Cerborino, Steadicam Operator : Glenn DiVincenzo, Technical Advisor : Gerry Griffin, Greensman : Jason Vanover, Assistant Chief Lighting Technician : Jim Fine, Grip : Michael D. Hightower, Digital Compositor : Jerry Hall, Craft Service : Beverly Burton, Pilot : Alan D. Purwin, Assistant Accountant : Rosario Aguirre, Location Manager : Ned R. Shapiro, Digital Compositor : Bryan Grill, VFX Director of Photography : Erik Nash, ADR Voice Casting : Lynne Redding, ADR Mixer : Paul J. Zydel, Greensman : William Matzner, Storyboard : Ricardo F. Delgado, ADR Recordist : Douglas Murray, Video Assist Operator : Roger C. Johnson, Color Timer : William Pine, Assistant Dialogue Editor : Yvette Nabel, Costumer : Leslie Weir, Special Effects Assistant : Harold Selig, Production Assistant : Alfred Cervantes, Driver : Rodney Lee Bennett, Sound Re-Recording Mixer : Scott Millan, Special Effects Assistant : Larry L. Fuentes, Novel : Jim Lovell, Playback Singer : Annie Lennox, Supervising Sound Editor : Stephen Hunter Flick, Foley Recordist : Don Givens, Editor : Mike Hill, Grip : Eugene Siegmund, Foley Editor : Frank Smathers, Orchestrator : James Horner, Orchestrator : Steven Bramson, Grip : Troy Webb, Stunt Coordinator : Mickey Gilbert, Pilot : Robert 'Bobby Z' Zajonc, Construction Coordinator : David T. Cannon, Digital Compositor : Ethan Ormsby, Set Production Assistant : Stephanie Axe, Leadman : Wayne Shepherd, Modeling : Gordon Forkert, Utility Sound : Kevin E. Patterson, Visual Effects : Shoshana Abrass, Sound Re-Recording Mixer : Steve Pederson, Electrician : Ben O. Graham, Special Effects Assistant : Rocky Severy, Chief Lighting Technician : Andy Ryan, Greensman : Anthony Vitagliano, Associate Producer : Louisa Velis, Special Effects Supervisor : John Palmer, Unit Publicist : Andrew Lipschultz, Special Effects Assistant : Lucinda Strub, Special Effects Assistant : Michael Wilmot, Special Effects Assistant : Bruce Y. Kuroyama, Sound Effects Editor : Richard L. Anderson, Visual Effects Design Consultant : James Cameron, Sound Assistant : Linda Yeaney, Set Dresser : Chris Pascuzzo, Production Assistant : Misty Conn, Rigging Grip : Gary Brostrom, Special Sound Effects : Steve Lee, Set Painter : Felisa Finn, Additional First Assistant Camera : J. Steven Latham, Rigging Grip : Randy Troyanek, Stunts : Kim Robert Koscki, Assistant Dialogue Editor : Lynn Sable, First Assistant Camera : Scott Fuller, Camera Operator : Raymond Stella, Electrician : Gary Ware, Production Assistant : Kirk Douglas, General Manager : Scott Ross, First Assistant Director : Bruce Moriarty, Technical Advisor : Jeffrey Kluger, Costumer : Elaine Ramires, Set Dressing Artist : Larry A. Cornick, Seamstress : Carmen Mazarow, Digital Effects Producer : Amy Jupiter, Makeup Artist : Michael Lorenz, Sound Re-Recording Mixer : Bob Chefalas, Sound Effects Editor : Elliott Koretz, Driver : Johnny Bartlet, Production Assistant : Paul Swen, Key Hair Stylist : Kathryn Blondell, Production Coordinator : Lisa J. Watters, Makeup Artist : Larry Abbott, Production Coordinator : Brooke Rand McDonald, Production Assistant : Michael McDevitt, Assistant Location Manager : Andrew L. Ullman, Stunts : Vincent Mazella Jr., Set Dresser : Richard M. Jones, Set Dresser : Edward J. McCarthy, Set Designer : Lori Rowbotham, Second Assistant Director : Jane Paul, Hairstylist : Joy Zapata, Set Dresser : Greg Wilkinson, Special Effects Assistant : R. Michael Bisetti, Special Effects Assistant : Gary Zink, Costume Supervisor : Dan Bronson, Technical Advisor : Jim Lovell, Driver : James E. Vargas, Sound Effects Editor : Patricio A. Libenson, Production Coordinator : Virginia Dнaz, Production Assistant : Jeffray C. Eagle, Art Direction : Bruce Alan Miller, Screenplay : Al Reinert, Special Effects Assistant : Rich E. Cordobes, Dolly Grip : Dave Wachtman, Associate Producer : Michael Bostick, Editor : Daniel P. Hanley, Transportation Coordinator : Joel Marrow, Associate Producer : Aldric La'Auli Porter, Additional Second Assistant Camera : Chip Byrd, Casting : Janet Hirshenson, First Assistant Camera : Scott Smith, Second Second Assistant Director : William M. Connor, Novel : Jeffrey Kluger, Special Effects Assistant : Kent D'Huet, Hairstylist : Carolyn Elias, Production Assistant : Dennis Clay, Special Effects Assistant : Donald Krause, Second Unit Director of Photography : Raymond Stella, Modeling : Michael Possert Jr., Set Designer : Joseph Hodges, Assistant Camera : David S. Campbell, Assistant Accountant : Keri Weisblum, ADR Recordist : Ann Hadsell, Set Production Assistant : Jonathan McGarry, Best Boy Electric : Glenn E. Moran, Systems Administrators & Support : Shoshana Abrass, Production Controller : Kathleen McGill, Electrician : Peter Eisner, Sound Re-Recording Mixer : Rick Dior, Electrician : Dennis Hus, Modeling : George Stevens, Chief Lighting Technician : Michael Orefice, Technical Advisor : Jerry Bostick, Assistant Accountant : Hope Shaw, Director : Ron Howard, Visual Effects Assistant Editor : Tommy Dorsett, Chief Lighting Technician : Joseph J. Orefice, Unit Production Manager : Carl Clifford, Special Effects Assistant : Paul Sabourin, Modeling : John Ferrari, Special Sound Effects : John Pospisil, Script Supervisor : Janna Stern, Stunts : Joe Finnegan, Technical Advisor : Dave Scott, Visual Effects Supervisor : Robert Legato, Key Grip : Steven Cardarelli, Costumer : Joe McCloskey, Systems Administrators & Support : Matt Coohill, Production Design : Michael Corenblith, Producer : Brian Grazer, Assistant Camera : Michole Bergstrom, Grip : Marty Dobkousky, Production Supervisor : Michelle Morrissey, Production Assistant : Michael Barson, Propmaker : Matthew Martin, Scoring Mixer : Shawn Murphy, Foley Editor : Matthew C. Beville, Negative Cutter : Gary Burritt, Director of Photography : Dean Cundey, Visual Effects Producer : Jenny Fulle, Driver : Joseph Sullivan, Modeling : Eugene P. Rizzardi, First Assistant Director : Aldric La'Auli Porter, Project Manager : Stephen Sobisky, Machinist : John Lisman, Camera Operator : Casey Hotchkiss, ADR Editor : Stuart Stanley, Assistant Editor : Guy Barresi, Assistant Production Coordinator : Lila Yacoub, Digital Effects Supervisor : Mark A. Lasoff, Digital Compositor : Pablo Helman, Gaffer : Tony Anderson, Digital Compositors : Feliciano di Giorgio, Location Assistant : Anthony J. Saenz, Dialogue Editor : Thomas A. Gulino, Grip : Steve Graves, Modeling : Felix Ojeda, Storyboard Artist : Eric Ramsey, Driver : Gavin Grazer, Second Assistant Camera : Stephen Sfetku, Visual Effects Coordinator : Chad Merriam, Modeling : Brian Ripley, Grip : Luke Halpin, Key Makeup Artist : Daniel C. Striepeke, Dialogue Editor : Bitty O'Sullivan-Smith, Assistant Editor : Tim Silano, Sound Mixer : David MacMillan, Stunt Coordinator : James M. Halty, Stunts : Heather Burton, Hairstylist : Hazel Catmull, Sound Effects Editor : Warren Hamilton Jr., Set Dresser : Scott G. Jones, Production Assistant : Susan Jamison, Sound Re-Recording Mixer : Ezra Dweck, Assistant Costume Designer : Marjorie McCown, Actor's Assistant : Erik Bork, Grip : Bryan Ashford, Executive Producer : Todd Hallowell, Technical Advisor : Max L. Ary, Production Assistant : Chris Clifton, Sound Effects Editor : Eric Lindemann, Special Effects Coordinator : Matt Sweeney, Special Effects Assistant : Jeffrey Machit, Supervising Music Editor : Jim Henrikson, Set Costumer : Mary Elizabeth Still, Modeling : Sabine Meyer zu Recendorf, Studio Teachers : Elise Ganz, Key Grip : Jeff 'Moose' Howery, Construction Foreman : David A. Weinman, Makeup Artist : Hallie D'Amore, Production Assistant : K. Marshall Smith, Costume Design : Rita Ryack, Sound Effects Editor : Dean Beville, Original Music Composer : James Horner, Second Unit Director : Todd Hallowell, Grip : Ron Peebles, Visual Effects Assistant Editor : Josh Margolies, Executive Music Producer : Brian Grazer, Grip : Kevin Edwards, Electrician : Atillio Orefice, Boom Operator : Bill J. DiDonna, Second Assistant Camera : Jolanda R. Wipfli, Set Production Assistant : Laurel Robinson, First Assistant Editor : Roger Tweten, Rigging Gaffer : Mark Soucie, Camera Operator : David Norris, Production Controller : Kieran Woo, Digital Effects Supervisor : John McLaughlin, Art Department Coordinator : Angela O'Neill, Publicist : Andrew Lipschultz, First Assistant Accountant : Kathryn Mindala, Sound Recordist : Bob Olari, Modeling : Greg Bryant, Driver : William Esparza, Driver : Paulie DiCocco, Set Production Assistant : Eddee Kolos, Visual Effects Editor : Debra Wolff, First Assistant Camera : Clyde E. Bryan, Actor's Assistant : Terry Odem, Assistant Chief Lighting Technician : Keith Roverud, Digital Effects Supervisor : Karen E. Goulekas, Music Editor : Thomas S. Drescher, Dialogue Editor : Dan Sable, Second Assistant Director : Susan Pickett, Key Grip : Ron Cardarelli, Script Supervisor : Eva Z. Cabrera, Modelling Supervisor : Patrick McClung, Still Photographer : Ron Batzdorff, Digital Compositor : Martine Tomczyk, Boom Operator : Steve Bowerman, Production Coordinator : Kelly L'Estrange, Transportation Captain : Randy Cantor, Art Direction : David J. Bomba, Set Decoration : Merideth Boswell, Casting : Jane Jenkins, ADR Editor : Harry Peck Bolles, Set Production Assistant : Dylan K. Massin, Foley Mixer : David Jobe, Best Boy Grip : Brian Marincic, Assistant Accountant : Susan Giordano, Digital Compositor : Laurie Resnick, Assistant Chief Lighting Technician : O'Shana Walker, Camera Operator : Josh Bleibtreu, Production Assistant : Lars Sloan, Special Effects Assistant : Jan Aaris, Sound Mixer : Geoffrey Patterson, Special Effects Assistant : Fred Tessaro, Assistant Editor : Richard Friedlander, Assistant Chief Lighting Technician : Steve Chandler, Digital Compositor : Jammie Friday
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